This 4 page paper discusses the process of creation that Victor Frankenstein followed in Shelley's Frankenstein's Monster. Bibliography lists 1 source.

A 5 page discussion of Mary Shelly’s classic science fiction. The author contends that the underlying theme of subjugation could be interpreted to apply to the societal situation which the feminist movement as a whole has revolted against. The primary perpetrator of this situation in Mary Shelly’s "Frankenstein" is identified as Dr. Victor Frankenstein, Frankenstein’s fictional creator. No additional sources are listed.

This 4 page paper uses direct quotes from "Frankenstein" to discuss the characters of Frankenstein and the monster, and the themes of the novel. It argues that Frankenstein is ultimately less human than his creation. Bibliography lists 1 source.

This 6 page paper examines “Manfred” by Lord Byron and “Frankenstein” by Mary Shelley and argues that they are both examples of Gothic literature; that Frankenstein is self-deceiving while Manfred is overly self-aware; and that both protagonists transgress boundaries: Frankenstein cross the line between life and death, and Manfred breaks the taboo against incest. Bibliography lists 3 sources.

A 5 page paper which examines what the monster in Mary Shelley’s “Frankenstein” symbolizes. Bibliography lists 3 sources.

A 3 page paper which examines various elements in Mary Shelley’s Frankenstein. Bibliography lists 3 sources.

This 6 page paper examines “Manfred” by Lord Byron and “Frankenstein” by Mary Shelley and argues that they are both examples of Gothic literature; that Frankenstein is self-deceiving while Manfred is overly self-aware; and that both protagonists transgress boundaries: Frankenstein cross the line between life and death, and Manfred breaks the taboo against incest. Bibliography lists 2 sources.

This 5 page paper focuses on the question of Frankenstein's regret for creating life. Some scholars have suggested Frankenstein regretted bringin his creature to life. This writer disagrees; Frankenstein held himself guiltless to the very end. There was not a moment of regret for the right reasons. Bibliography lists 1 source.

This paper discusses the significane of the friendship between Henry Clerval and Victor Frankenstein in Mary Shelley's novel, Frankenstein. The essay examines what, symbolically and physically, the friendship represents to Frankenstein. Bibliography lists 3 sources.

An eight page paper looking at these issues as presented in Mary Shelley's 'Frankenstein,' Joseph Conrad's 'Heart of Darkness,' and Tadeusz Borowski's 'This Way for the Gas, Ladies and Gentlemen.' Tracing these themes from the Enlightenment to the mid-twentieth century, the paper argues that in order to secure human rights for all, we need to be able to empathize with one another's pain. Bibliography lists five sources.

A 5 page paper compares and contrasts the relationships of each literary work, God/Satan, Frankenstein/Creature, Marlow/Kurtz, in order to demonstrate how there is a progressive erosion of religious belief from “Paradise Lost,” while man searched for the meaning of life which he hoped he would find through the knowledge of science and the acquisition of material wealth, while never quite relinquishing the traditional religious myth that some knowledge is divinely forbidden. Bibliography lists 6 sources.

A 4 page essay that argues that Mary Shelley's portrayal of the Monster in her novel Frankenstein, indicts Dr. Victor Frankenstein rather than misbegotten creature that he brings into the world. In Shelley's novel, it is clear that the monster is an innocent, a "child" who has been deprived not only of his birth right, which is the love of his "parent," Dr. Frankenstein, but also of being able to have any place within human society and all because of his appearance, not because of his character. An examination of Shelley's text makes it clear that it is human society and, specifically Dr. Frankenstein, who is at fault and not the poor monster who did not ask to be created. Bibliography lists 5 sources.

A 3 page paper which examines the significance of the novels that the Creature reads in Mary Shelley’s “Frankenstein.” No additional sources cited.

A 3 page paper which examines the monster in Mary Shelley’s Frankenstein as it involves the theme of vengeance. No additional sources cited.

A 3 page paper which examines the significance of Mary Shelley’s subtitle to Frankenstein; “The Modern Prometheus.” No additional sources cited.