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How Mary Shelley's Life is Reflected in "Frankenstein"

A 5 page paper which examines how Mary Shelley's life is reflected in her classic Gothic novel, "Frankenstein," such as the death of her mother, the death of her son and the loneliness of her life as depicted in the characters of Victor Frankenstein, the monster, and the primary narrator, Robert Walton. Bibliography lists 7 sources.

Frankenstein by Mary Shelley.

(5 pp)The complex system of framing devices used in Mary Shelley's Frankenstein, where in some parts, the Creature is telling the story to Victor Frankenstein, who, then tells the story to-Captain Robert Walton, who chooses to -recount the story in letters to-Margaret Saville. This story-telling device, not only let's us know what is going on, but it also informs us of the attitudes of those telling the tale, and who does, or does not know about someone else. This complex confidentiality will be examined in this discussion.

Frankenstein

A 6 page paper which analyzes Mary Shelley’s Frankenstein. Bibliography lists 5 sources.

Mary Shelley's 'Frankenstein' / Was She Playing God in the Creation of Frankenstein's Monster?

This 6 page paper provides an analysis of Mary Shelley's Frankenstein, with a concentration on the argument that Mary Shelley was attempting to play God in the creation of the monster. This paper is an argumentative essay that supports this perspective utilizing passages from the text as well as elements in the history of Shelley's life. Bibliography lists 4 sources.

Satan & Frankenstein’s Monster

A 4 page essay that discusses the similarities between Satan in Milton’s “Paradise Lost” and the character of Frankenstein’s Monster in Mary Shelley’s Frankenstein. Both characters were expelled from the place where they were created by their creators. Both were are considered hideous in form. Both are evil. However, there are also differences between the two characters that relate to the very different intentions of each author. No additional sources cited.

Character Analysis of Robert Walton in Mary Shelley’s “Frankenstein”

A 5 page paper which examines the character’s functions in the novel. No additional sources are used.

Frankenstein or Monster: Which is the Hero?

A 5 page paper which examines the characters of Frankenstein and the monster, from Mary Shelley's "Frankenstein," and discusses which is truly the hero. The paper argues that the monster is the hero. Bibliography lists 1 additional source.

Frankenstein: A Story Still Valid Today

A 10 page paper which discusses how Mary Shelley's Frankenstein is still a valid story today. The paper discusses the subject of parenting and abandonment, and of how people often do not take responsibility for their own actions. These are issues that clearly involve mankind, no matter the time period, and as such are valid conditions that make Shelley's Frankenstein a work still relevant today. Bibliography lists 4 additional sources.

Shelley's Frankenstein/Dangers of Scientific Progress

A 6 page essay that examines Mary Shelley's Frankenstein. The writer argues Shelley's novel seems to speak directly to the modern reader and offer explicit warning against scientific discovery unregulated by restrictions of morality or responsibility. Victor Frankenstein, Shelley's brilliant protagonist/scientist, suffers a tragic downfall worthy of the ancient Greek tragedians. Shelley's text suggests that this occurs due to two failings. First of all Frankenstein, like the ancient Greek tragic heroes, is guilty of hubris, that is, excessive pride, of "attempting to be like God" (Madigan 48), but also, he initially does not take responsibility for his actions. Furthermore, in his hubris, Frankenstein exhibits two characteristics that he himself castigates, "cowardice and carelessness," which he exhibits in the manner in which he deals with his creation (Shelley 37). Bibliography lists 4 sources.

Critical Literary Analysis of Mary Shelley's Novel, "Frankenstein"

An 8 page paper which provides a critical literary analysis of Mary Shelley's 1818 novel, "Frankenstein," including plot, characters, conflict, setting and language. Bibliography lists 7 sources.

Frankenstein/Defending the Monster

A 4 page essay that argues that Mary Shelley's portrayal of the Monster in her novel Frankenstein, indicts Dr. Victor Frankenstein rather than misbegotten creature that he brings into the world. In Shelley's novel, it is clear that the monster is an innocent, a "child" who has been deprived not only of his birth right, which is the love of his "parent," Dr. Frankenstein, but also of being able to have any place within human society and all because of his appearance, not because of his character. An examination of Shelley's text makes it clear that it is human society and, specifically Dr. Frankenstein, who is at fault and not the poor monster who did not ask to be created. Bibliography lists 5 sources.

A Comparison / The Creature & The Underground Man

A 6 page essay which compares the character of the Underground Man in Dostoyevsky's Notes from the Underground to the character of the creature in Mary Shelley's Frankenstein. The writer demonstrates that there are numerous similarities between the two characters, and that their differences make the creature the more sympathetic of the two. No additional sources cited.

CLERVAL, FRANKENSTEIN AND FRIENDSHIP

This paper discusses the significane of the friendship between Henry Clerval and Victor Frankenstein in Mary Shelley's novel, Frankenstein. The essay examines what, symbolically and physically, the friendship represents to Frankenstein. Bibliography lists 3 sources.

Victorian Reading Habits: The Thrill of Transgression

This 6 page paper examines “Manfred” by Lord Byron and “Frankenstein” by Mary Shelley and argues that they are both examples of Gothic literature; that Frankenstein is self-deceiving while Manfred is overly self-aware; and that both protagonists transgress boundaries: Frankenstein cross the line between life and death, and Manfred breaks the taboo against incest. Bibliography lists 3 sources.

The Thrill of Transgression: “Frankenstein” and “Manfred”

This 6 page paper examines “Manfred” by Lord Byron and “Frankenstein” by Mary Shelley and argues that they are both examples of Gothic literature; that Frankenstein is self-deceiving while Manfred is overly self-aware; and that both protagonists transgress boundaries: Frankenstein cross the line between life and death, and Manfred breaks the taboo against incest. Bibliography lists 2 sources.